20 Jun 2020
29.97 Moving Image and Cinema Study Group Screening, Busan Cinema Center, Busan, Korea (Screening)
Screening work: Porosity Valley, Portable Holes
“영상연구회 29.97 상영회”, 영화의 전당, 부산, 한국
프로그램 기획: 조은비
상영작: 다공성 계곡, 이동식 구멍들
‘L의 운동화’라는 주제의식을 가지고 1987년 6월의 민주항쟁 이후 우리나라의 정치/역사 감각이 어떻게 진행되고 있는가 고민합니다.
4 – 18 Jun 2020
Arsenal 4, Organized by Institut für Film und Videokunst e.V., silent green Kulturquartier (Betonhalle), Berlin, Germany
“아르세날 4”, 아르세날 필름 앤 비디오아트 연구소 주최, 사일런트 그린 쿨투르카르티어, 베를린, 독일
Participating artists:
Maha Maamoun, Ayoung Kim, Ashish Avikunthak, Felipe Bragança, Mariam Mekiwi, Iram Ghufran and Angela Melitopoulos & Maurizio Lazzarato
Participating work: POROSITY VALLEY 2: TRICKSTERS’ PLOT, Ayoung Kim Republik Korea 2019
The two Potsdamer Platz cinemas, which closed on 13th March to prevent the spread of Covid-19 virus, cannot yet reopen. Since the closure, our virtual cinema, arsenal 3, has been showing mainly works from our collection, which is housed at the silent green Kulturquartier. The Forum Expanded exhibition, “Part of the Problem”, in the Betonhalle at silent green also had to close prematurely on March 13th. We are now making the most of the gradual reopening of the MARS restaurant to make the medium of film physically available again, in conjunction with silent green and outside our own four walls. From 30th May, between 2 p.m. and 6 p.m. on Thursdays to Sundays, changing installation works from various Forum Expanded programs will be on display in the Betonhalle of silent green. The selection of works was inspired by “2026”, a 2010 work by the artist Maha Maamoun, which will also be screened at the Betonhalle for four months, first as a projection and then on a monitor.
2026 is based on a text from a recent Egyptian novel entitled “The Revolution of 2053” by Mahmoud Uthman and it also references a scene from Chris Marker’s “La Jetée” (1962). A time-traveler recounts his vision of the future of the Pyramids in Egypt in 2026. It is a vision that strains to reach beyond the present and yet remains constrained by it.
From June 4th onwards, another work will be presented every 14 days. We will begin with Ayoung Kim’s 2019 POROSITY VALLEY 2: TRICKSTERS’ PLOT from this year’s Forum Expanded program. Petra Genetrix, a fictional being made from a cluster of minerals or data, awakes and finds itself on the coast of the island Crypto Valley. As Petra’s migration status is examined, it comes into contact with officials that compare migrants to aliens or viruses. It doesn’t pass the test and is interned in the Smart Grid, a detention center for non-residents. After a visual and auditory hallucination, it is able to escape and follows a luring voice to the heart of the island where it meets an ancient “cloud” in the caves. Mother Rock is a transcendent presence who has existed here for eons.
A collaboration with silent green Film Feld Forschung
silent green Kulturquartier (Betonhalle), Gerichtstraße 35, 13347 Berlin
16 Apr – 14 Jun 2020
Collecting for All, Seoul Museum of Art, 16 Apr – 14 Jun 2020, Seoul, Korea
“모두의 소장품”, 서울시립미술관, 서울, 한국
*PH Express (2011) is on view at the show.
Collecting for All is an exhibition of works by everyone. The museum collection is a public asset that’s protected by the museum and conserved in the museum storage most of the time, but it should actually be something that’s accessed and enjoyed by the public more often. This exhibition has been organized to provide a friendly everyday environment through which to take closer steps to the museum collection that reflects our very own lives.
Amongst 5,173 works in the SeMA collection, 86 works that cast a realistic reflection on our society and environment were selected, along with 45 works of the artists from the collection that deepen the meaning of the project, making up a total of 131 works presented in the exhibition.
English Info:
https://sema.seoul.go.kr/ex/exDetail?exNo=503089&glolangType=ENG&searchDateType=CURR
20 Feb – 22 Mar 2020
15th Forum Expanded: Part of the Problem, 70th Berlin International Film Festival
Betonhalle Silent Green Kulturquartier, Berlin, Germany
The new decade begins at a time which has produced a great deal of speechlessness and thus a need for ever clearer words to be found. How does such a present change the curatorial gaze? What is the role of cinema and art? 39 installations and films are dedicated to such themes as migration, racism, sexism, state violence, capitalism, colonialism, extractivism, the climate crisis, fears of the future, the loss of history and more. But above all, they refer to themselves as being part of the wider structure from which they emerged.
Exhibiting Artists:
Anton Vidokle, Adam Khalil, Bayley Sweitzer
Joe Namy
Caitlin Berrigan
The Otolith Group
Didi Cheeka
Ayoung Kim
Filipa César
RIWAQ
Forensic Architecture
Kika Thorne
Lucile Desamory in collaboration with Glodie Mubikay and Gustave Fundi
Patricia Ferreira Pará Yxapy
Thirza Cuthand
More Info:
https://www.arsenal-berlin.de/en/berlinale-forum/news/single/article/8306/170.html
Migration: Speaking Nearby
Group Show
23 Nov 2019 – 23 Feb 2020
Asia Culture Center, Gwangju, Korea
《Migration: Speaking Nearby》, an exhibition organized in collaboration by the Asia Culture Center/Asia Culture Institute and the Goethe-Institut Korea, marks the final journey in the “Migration Narratives in East and Southeast Asia” project, sharing the outcomes of an effort launched as an initiative by the Goethe-Institut and continued from 2018.
Staged as part of “ACC PRISM,” an annual exhibition project since ACC’s opening with a focus on exchange and cooperation with various culture and arts institutions in Korea and overseas, the exhibition is significant as an attempt to approach Asian history, society, and culture from a new perspective through the general theme of “migration,” which has emerged as a significant contemporary global issue. 《Migration: Speaking Nearby》 project and exhibition was designed and developed in conjunction with nine curators active in nine different Asian cities (Seoul, Gwangju, Beijing, Hong Kong, Ulaanbaatar, Taipei, Singapore, Bangkok, and Jakarta), as well as 21 artists/artist groups invited by them and various other collaborators. Individual projects proposed by each of them were developed in an open and multilayered process of interaction and relationship-forming through seminars and workshops in Korea and Germany and small-scale exhibitions, group exhibitions, and discussions in Beijing, Ulaanbaatar, and Hong Kong. Sharing the various new works created through individual projects along with existing works by some of the participating artists and artist groups, the exhibition suggests different perspectives and approaches to the multilayered and complex aspects and circumstances of migration, with a focus on East and Southeast Asia.
Further information:
https://www.acc.go.kr/en/board/schedule/exhibition/3525
Published by Ilmin Museumf of Art, Seoul, Korea
296 Pages 112*128mm 207g ISBN : 9791186905111
2018년 일민미술관에서 개최된 IMA Picks 김아영 개인전 <다공성 계곡, 이동식 구멍들>의 연계 도서인 동시에 작가의 작품세계에 심층적, 다면적으로 접근하기 위한 단행본이다. 김아영 작가의 프로젝트 스크립트의 파편들, 프로젝트의 부산물인 다면적 단문들과 함께, 유운성 미술평론가의 글, 한국 최초로 소개되는 이란 태생의 철학자 레자 네가레스타니의 글, 프랑스의 브레티니 아트센터의 디렉터 셀린 풀랑의 글이 포함되어 있다.
Book Info 책 정보:
http://ayoungkim.com/wp/publication/porosity_book
Online Shop
알라딘
https://www.aladin.co.kr/shop/wproduct.aspx?ItemId=185913561
국립현대미술관 아트샵
아트선재센터 북샵
더 레퍼런스
Deficit Faction
2 Nov 2019 – 8 Jan 2020
Long March Space, Bejing, China
“적자 팩션 (Deficit Faction)”, 롱 마치 스페이스, 베이징, 중국
Korea Artist Prize
12 Oct 2019 – 1 Mar 2020
MMCA (National Museum of Modern and Contemporary Art), Seoul, Korea
Co-organized by the National Museum of Modern and Contemporary Art, Korea (MMCA, Korea) and SBS Foundation
올해의 작가상, 국립현대미술관 서울관, 서울, 한국
The Ouroboros
Curated by Amy Cheng
28 Aug – 26 Oct 2019
Casino Luxembourg, Luxembourg City, Luxembourg
ARTIST(S): CHI-YU WU (TW), YIN-JU CHEN (TW), CHIEH-JEN CHEN (TW), TZU-LING LEE (TW), AYOUNG KIM (SK), TAO ZHOU (CN), HASSAN KHAN (EG) AND TZU-NYEN HO (SG)
“우로보로스”, 카지노 룩셈부르크, 룩셈부르크 씨티, 룩셈부르크
https://www.casino-luxembourg.lu/en/Exhibitions/The-Ouroboros
Video Library as part of Rencontres Internationales Paris/Berlin, Haus der Kulturen der Welt, Berlin, Germany
20 – 25 Aug 2019
“헝콩트르 인터내셔널 파리/베를린 – 비디오 라이브러리 섹션”, HKW 하우스 데어 쿨투렌 데어 벨트, 베를린, 독일
https://www.hkw.de/en/programm/projekte/veranstaltung/p_154997.php
http://www.art-action.org/site/en/cat/rech/_cat_1_art_rech.php?p=3&lettre=K#T40191170
“백야 (Midnight Sun)”, 엘리펀트 스페이스, 서울, 한국
일정: 2019. 8. 16. – 9. 7. (일・월 휴무, 총 17일간)
시간: 15:00 – 21:00 (8월 5일 상영 시간표 및 예매 링크 오픈 예정)
기획: 송가현
참여작가: 김아영, 박민하, 파킹찬스
https://elespace.io/pay/page/e/program/page/128
The Ouroboros
17 Aug – 20 Oct 2019
TheCube Project Space, Taipei, Taiwan
Artist | Chieh-Jen Chen, Yin-Ju Chen, Tzu-Nyen Ho, Hassan Khan, Ayoung Kim, Tzu-Ling Lee, Chi-Yu Wu, Tao Zhou
Curator | Amy Cheng
Ulaanbaatar International Media Art Festival , Ulaanbaatar, Mongolia
27 Jun – 7 Jul 2019
Co-organized by the Arts Council Of Mongolia and Goethe Institute Asia
Sharjah Film Platform (Organised by Sharjah Art Foundation), Mirage City Cinema, Sharjah, UAE (Screening)
18 – 26 Jan 2019
Mirage City Cinema, Sharjah, UAE
More Info:
http://sharjahart.org/sharjah-art-foundation/programme/sharjah-film-platform
Spring Foundation x TIVA (Taiwan International Video Art Exhibition)
25 Nov 2018
Executed by HONG-GAH Museum, Event Held at Taipei Fine Art Museum, Taipei, Taiwan (Screening and Lecture)
More Info:
http://www.twvideoart.org/tiva_18/
